The Hawk V-Lite Vintage'74 lenses have certain gentle aberrations and other characteristics that might be considered flaws by others but are welcomed storytelling tools for cinematographers as they seek to transport audiences to virtual worlds. Hawk 1.3x formats: pxx_0916 Hawk V-Lite 1.3x VintageĀ“74 Lenses - maximum sensor usage Sew the Winter to My Skin was shot over five weeks by DOP Jonathan Kovel on the Arri Alexa Mini camera, with Vintage 74 Hawk anamorphic lenses. "I was looking for an image quality that exuded the spirit of the period the film is set in, which is 1948 to 1952. I didn't want a pristine, contemporary look at all. Hawk V-Lite VintageĀ“74 1.3x - Additional Information Hawk V-Lite VintageĀ“74 1.3x - Additional Information (PDF) Download: Hawk V-Lite16 Hawk V-Lite16 (PDF) Download: Hawk V-Lite16 - Additional Information Hawk V-Lite16 - Additional Information (PDF) Download: The movie Bridge of Spies, released in 2015 and directed by Steven Spielberg, was shot on film using ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera and Hawk V-Lite Lenses, Hawk V-Lite VintageĀ“74 Lens, Hawk V-Plus Lenses with Janusz Kaminski as cinematographer and editing was done on the Avid Editing System by Michael Kahn. Seiple used a cornucopia of LUTs (Lookup Tables) and different lenses to create the distinctive look and feel of each of the multiverses, freely mixing spherical and anamorphic as needed: Atlas Orion, Hawk V-Lite, Scorpiolens, Canon K-35, Zeiss Super Speed, Zeiss Master Prime, and even a vintage Todd-AO lens. Hawk V‑Lite16 24mm/T1.5. Hawk V‑Lite16 28mm/T1.5. Hawk V‑Lite16 35mm/T1.5. Hawk V‑Lite 45mm/T2.2. Hawk V‑Lite 55mm/T2.2. Hawk V‑Lite 80mm/T2.2. Hawk V‑Lite 110mm/T3. Perfect simplicity combined with maximum functionality was what we had in mind when we designed our new small and lightweight range of Hawk V‑Lite16 Anamorphics Hawk V-Lite VintageĀ“74 Lens. Hawk V-Plus Lenses. Hawk V-Plus Vintage Ā“74. Hawk V-Series Lenses. Hawk V-Series 180 mm T3.0 Lens; Hawk V-Series 250 mm T3.0 Lens; Hawk V-Series 46-230 mm T4.0 Lens; Hawk Spherical Lenses. Hawk 150-450 mm T2.8 Lens; Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens; Hawk Vantage One Lenses. Vantage One Spherical Primes. At T4, T2.8 and T2, Vantage One lenses can give cinematographers the flawless look other modern lenses produce, but with superior image illumination. And they offer additional versatility at other stops. At T1.4, the results are a bit more forgiving, yet still extremely good, and at T1, Vantage One lenses lend the Set of Anamorphics Hawk V-lite Vintage 74- consisiting of: 1 Hawk V-Lite Vintage ́ 74 28mm, T2.2 Ƙ 120mm 1,0. 1 Hawk V-Lite Vintage ́ 74 45mm, T2.2 Ƙ 104mm 1,0 Images and prices are not contractually binding. This website uses its own and third-party cookies to improve our services, some functions may offer you a faster and simpler Lens: Hawk V-Lite, AngĆ©nieux Optimo 56-152MM Lubtchansky: We made test with Arnaud with different cameras and lens. In this film, Arnaud wanted a less realistic image [than in 2019's "Oh Hawk V‑Lite VintageĀ“74 Lenses. The versatile Hawk V‑Lite 1.3x lenses either use the full 16:9 sensor area for wide-screen release or the entire 4:3 sensor for 16:9 television. Get $20 off your first rental. Join The Camera Sharing Community. For Sale: Hawk V-Lite 2x Anamorphic Prime Set. Buy used and new gear at great prices, join the largest camera sharing community. Most of the Hawk lenses are available as Vintage'74 versions. Select for large format glass. Most of the Hawk lenses are available as Vintage'74 versions. view all. Tools; PSU; Rentals; Godfather dramatization shot on Hawk V-Lites. Vantage Vision Budapest - the new partnership between Visionteam and Vantage. Magic Right Out of the Box The tv series 13 Reasons Why, released in 2017, was shot on digital using Panasonic VariCam 35 and Hawk V-Lite VintageĀ“74 Lens, Leica Summilux-C Series Lenses and editing was done on the Avid Editing System. Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe. Television Network | Netflix. Hawk V-Lite Vintage '74 Cinematographers who seek the signature 1970s look, complete with low contrast, flares, color aberrations and other "flaws", can now achieve that look with lenses that incorporate state-of-the-art optics and mechanics and work seamlessly with the latest accessories. reduced contrast, enhanced flares pleasant skin tones SxDU.

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